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Council of Mantua (1459)
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Everything about Council Of Mantua 1459 totally explained

The Council of Mantua of 1459 was convoked by Pope Pius II, who had been elected to the Papacy in the previous year and was engaged in planning war against the Turks, who had taken Constantinople in 1453. His call went out to the rulers of Europe, in an agonized plea to turn from internecine warfare to face Christendom's common enemy.

Process of the Council of 1459

Julius was in Mantua by 22 January; his long progress to the place of assembly resembled a triumphal procession. He opened the council on the first of June and waited in Mantua as the guest of Ludovico Gonzaga until September for the various representatives to assemble. On 26 September he called for a new crusade against the Ottomans. The refugee Cardinal Bessarion and Nicholas of Cusa were in attendance. The Duke of Burgundy was represented at the Council by the duke of Clèves, who brought in his train the young Burgundian cleric Ferry de Clugny. The painter Mantegna had been invited to Mantua by Ludovico in 1457; now, still remaining in Padua, he painted the Agony in the Garden that's in the National Gallery, London, for its Podestà; in Mantegna's picture, the disciples sleep in Gethsemane, while Jerusalem is envisaged as Constantinople, with the rising crescent moon signifying its capture by the Turk..

Criticism and effects

Not all the leaders of the Church were in favour of a Crusade. The Venetian Cardinal Ludoviso Trevisano, patriarch of Aquileia, met Pius in Siena, 16 March, and followed the pope to Mantua, although he opposed the aims of the Council.
   By the time the Council was disbanded in January 1460, an ineffectual call for a new crusade against the Infidel had been decided upon, and proclaimed by Julius on 14 January. The paper crusade was to last for three years; it was to prove ineffectual.
   Historians of the Tarot like Heinrich Brockhaus have asserted that the so-called Tarocchi di Mantegna were devised and made during the sitting of this council.

Notes and references

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